RML Cinechamber
RML Cinechamber
with RML
2009 - Present
K-Bow
K-Bow
with KMI
2007 - Present


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Connecting Cities Symposium: The Visible City Panel

Posted at 1pm on 11/16/14 In Immersive Media, Installation, Interactive Art, Technology

This panel discussion is from the Connecting Cities symposium during the EM15, May 27th, 2014 at the Phi Centre, Montréal, Canada. The panel includes Greg J. Smith, Editor-in-chief of HOLO magazine, Nerea Calvillo, Curator at Medialab-Prado Madrid, Josette Melchor, Executive Director & Founder of Gray Area Foundation for the Arts, and myself discussing work at Obscura Digital and the way experiential and immersive media can support engagement with the city.

Some can’t miss 101 armchair pseudo-philosophy at the end.


EM15 TouchDesigner Workshop Videos

Posted at 5pm on 09/11/14 In Interactive Art, Making, Technology

EM15_workshop_640_19

Videos of my section from the EM15 TouchDesigner workshop in Montreal earlier this year have been posted. This section explores creating geometry with Channel Operators in TouchDesigner. Check out Derivative’s site for the rest of the workshops, from Ben Voigt, Markus Heckmann and Greg Hermanovic, and Mary Franck.


Cast of Characters

Posted at 10am on 07/01/14 In Making
Fine Art

Fine Art

Cast of Characters

Barry Threw, 2014

Fiberglass, Permanent Marker

Limited Edition of 1/1

A collaborative community sourced work with contributions from:

Li Alin
Jorge Bachmann
Andrew Benson
Rachel Binx
Quentin Bleton
Heather Cocoran
Aaron David Ross
Chris Delbuck
Scott Draves
Mat Dryhurst
Gabriel Dunne
Kathleen Flood
Mary Franck
Vance Galloway
Joshua Goldberg
Lauren Goshinski
Tim Hecker
Markus Heckmann
Robert Henke
Greg Hermanovich
Holly Herndon
Michelle Higa-Fox
Lindsay Howard
David Huerta
Jason Huff
Naut Humon
Julia Kaganskiy
Sherry Kennedy
Herman Kolgen
Sophie Lamparter
Joanie Lemercier
David Letellier
Sharon Levinson
Rafael Lozono-Hemmer
Lainya Magaña
Lev Manovitch
Anton Marini
Cecile Martin
Olof Mathë
David McConville
Kyle McDonald
Josette Melchor
Aaron Meyers
Ceci Moss
Michael Naimark
Peter Otto
Benoit Palop
Bryant Place
Miller Puckette
Kate Ray
Taica Replansky
Zoë Salditch
Dylan Schenker
Eva Schindling
Alexander Scholz
Jesse Scott
Greg J. Smith
Vlad Spears
Mike Stubbs
Morgan Sutherland
Alain Thibault
Annie Werner


Art + Music + Technology Podcast Interview

Posted at 8pm on 03/02/14 In Free Culture, Immersive Media, Installation, Interactive Art, Technology

I’m thrilled with my conversation with Darwin Grosse this week in his latest Art + Music + Technology Podcast.

I’ve known Darwin for many years through the MaxMSP programming community, but we’ve never talked this far in depth about experiential art and technology. We talked for over an hour and covered a huge range of topics from surround cinema, to interactive music technology, to projection mapping. There was so much in this hour that I wanted to go more in depth into that I think we’re going to have to do a part two sometime in the future.

We talked about Obscura Digital, the Gray Area Foundation for the Arts, the Recombinant Media Labs’ Cinechamber, Keith McMillen Instruments, and music school. We even ended by discussing the current situation with Bassel Khartabil.

This podcast is rapidly becoming a who’s who of people doing interesting work in art and technology, so I’m honored to be a part of the group.

Direct Download


Artup 3.5: Sonic Technology

Posted at 7pm on 03/02/14 In Events, Technology

artup35

This Tuesday, March 4th, we will be holding a very special Artup 3.5 event focused on sonic technology. The evening’s performances and presentations will address topics such as artistic practice as process, tool production as a creative act, open source software and hardware, ethical manufacturing, artist empowerment through learning to code, diy solutions and the inherent beauty of blank-slate devices.

Music and sound technology has been a huge part of the Bay Area art scene for many years, so we are looking forward to shining a lens on current work in this field.

When: Tuesday, March 4, 02014 

Doors open at 7pm, performances and presentations begin at 7:30pm.

Where: Obscura Digital – http://obscuradigital.com/
729 Tennessee Street (near 18th at 3rd, in the heart of SF’s Dogpatch)
San Francisco, CA 94107
http://goo.gl/maps/aOmEH

$$$: Admission is all ages and free

Meetup
Facebook event

We’d like this event to revolve around Q & A, dialog and interaction among everyone, so bring challenging questions for our presenters and a desire to engage with your community. It’s what we’re all about.

In addition to the presenters we will have two special guests to give an overview of  two sound based museum openings this week: Maryanna Rogers will discuss the REBOOT: music opening at the San Jose Tech Museum, and Ceci Moss will give an overview of Jacqueline Kiyomi Gordon: It Only Happens All of the Time at the Yerba Buena Center for the Arts, a part of their new Control: Technology in Culture series.

PRESENTERS
Brian Crabtree and Kelli Cain – Monome – http://monome.org/
Brian and Kelli are artists creating open source devices of undetermined use. Their new device, Aleph, is a powerful audio processor, synthesizer, noise machine and rapidly modifiable instrument – a platform for experimental practice and organic discovery. Brian and Kelli will perform with the Aleph and discuss concepts informing its design and purpose.

Peter Nyboer – Livid Instruments – http://lividinstruments.com/
Peter is a partner and the primary programmer at Livid Instruments, crafting custom controllers, DIY products and commercially available control surfaces. Their latest device, the Guitar Wing, is a wireless controller for guitar and bass complete with its own SDK. Peter will speak about the general challenge of designing blank-slate controllers versus one-to-one integrated devices, and what it takes to make something truly useful for musical and other creative endeavors.

Carr Wilkerson – CCRMA – https://ccrma.stanford.edu/
Carr is a System Administrator at the Stanford Center for Computer Research in Music and Acoustics (CCRMA), a multi-disciplinary facility where composers and researchers work together using computer-based technology both as an artistic medium and as a research tool. Specializing in Linux and Mac OS systems, Carr is a controller and software system builder, performer, instructor and researcher. Carr will present an overview of CCRMA’s culture, current research initiatives, and the many technical resources available to the ArtUP community.

 


Disquiet Junto honors Bassel Khartabil

Posted at 5pm on 01/22/14 In Composition, Events, Free Culture, Making, Music

bassel-2014-570x260-dull-8bit

This week, Disquiet Junto, a weekly collaborative music composition event (now in its 107th consecutive week) is honoring my friend Bassel Khartabil, a programmer and activist who’s been in prison in Syria since March 2012.

It is an open project with anyone welcome to participate. I’ll be joining and hope you can find the time as well.

Some thoughts on camera about Bassel:

From Disquiet Junto:

On Thursday, January 23, a special collaborative sound and music project will help raise awareness about Palestinian Syrian programmer and Creative Commons advocate Bassel Khartabil, who has been detained in Syria since March 15, 2012. As the two-year anniversary of Bassel’s incarceration approaches, the Disquiet Junto music community on SoundCloud.com will spend four days developing original sound works in Bassel’s honor. This week’s project will invite musicians to flesh out a work-in-progress that Bassel has, naturally, not been able to complete due to his imprisonment.

Late in the day each Thursday, a new compositional prompt goes out to members of the Disquiet Junto, who then have until 11:59pm the following Monday to submit a piece of music. The Bassel project will be the 108th weekly Disquiet Junto project. As of this date, over 3,000 original pieces of music have been uploaded to the Disquiet Junto group on SoundCloud by over 400 musicians from around the world. The Disquiet Junto began the first week of January 2012, and has continued weekly ever since. Past Disquiet Junto projects include the interpretation of polling data as a graphically notated score, the use of wind chimes as a percussive instrument, the creation of “goodbye music” for the Voyager 1 space probe made from the sounds of interstellar space, and numerous Creative Commons–inspired remixes of music originally published on netlabels.

The Disquiet Junto was created and is moderated by Marc Weidenbaum, the San Francisco–based author of the book Selected Ambient Works Volume II, based on the Aphex Twin album of that name. Subscribe to the Disquiet Junto email announcement list.


Creative Code, Art and Advertising at LISA 2013

Posted at 4pm on 10/08/13 In Events, Installation, Interactive Art, Technology, Theory

I’m pleased to have been invited to participate in a panel at this year’s Leaders in Software and Art Conference, happening in NYC on November 1st.

Titled Creative Code, Art and Advertising, this panel is designed to show off some of the best creative software work being done in advertising today, and to explore questions like “What are the alignments and conflicts between software art and advertising?”,  “What is different between when artists are doing commercial work vs. ‘their own’ work?”,  “What is the true marketplace for the work creative coders do?” and “How can the tech artist community and the interactive agency community be more aligned?”.

When: November 1, 2013

Where: Tishman Auditorium at The New School, NYC

Tickets: $500 here.

Leaders in Software and Art (LISA) annouces our second annual creative coding, software and electronic art conference in NYC on November 1 at the Tishman Auditorium on 12th Street in Manhattan’s Greenwich Village.  This event gathers together the leaders in established and emerging software and electronic media art to showcase the forefront of what is happening in these fields. Attendees will come to meet each other, network, recruit creative coders, do business, and get inspired by new possibilities in tech art.

Where’s the impact?  Think museums and gallery installations glowing with life and movement. Think ipad apps, out-of-the-box interaction design, the coolest ads you have ever seen.  Rethink the book publishing and music business.  All of those innovations and many more will be driven by the kind of creative thinking and inspiration that our presenters engender every day.  The impact of art reaches beyond museums and galleries and into corporations and product design.

Our speakers are the cutting edge, forward-thinking practitioners in the arts tech scene, including interactive and visual computer art designers, engineers and coders, plus collectors, gallerists, curators, creatives, entrepreneurs, architects, product designers, marketing managers, photographers, data scientists and more.  They’ll be talking about everything from art in advertising to 3D printing to open source art to new steps forward in art collecting and museum and gallery curation.  Twenty artists will show cutting edge projects, to get you inspired for your next project.  Join us!

The discussion about how to make a living off digital creative work is a timely one that is ongoing in both the art and commercial worlds. I look forward to some lively discussions about the relationship between arts and commerce, and how we can possibly live with ourselves doing work funded by brands.

I will share the stage with a great list of panelists with backgrounds in art, art buying, advertising, augmented reality, interactive installations, virtual museums and projection mapping – Jamie ZigelbaumVivian Rosenthal and Margaret Brett-Kearns – and will be moderated by Chick Foxgrover, Chief Digital Office at American Association of Advertising Agencies.

Jamie Zigelbaum makes interactive sculpture—conceptual, physical, computational objects and environments that metabolize and express our emerging contemporary experience.  His work can be found in private collections, including the Frankel Foundation for Art and the Rothschild Collection. He has exhibited internationally, in venues such as Ars Electronica, Design Miami / Basel, The Corcoran Gallery, Saint-Etienne International Design Biennial, The Creators Project, The Tech Museum, Riflemaker Gallery, and Johnson Trading Gallery. His awards include Designer of the Future from Design Miami/ Basel, Best Music Video and Video of the Year from the British Video Music Awards, Honorable Mention from I.D. Magazine Annual Design Review, and Honorary Mention from Prix Ars Electronica.  Jamie co-founded the Industry Lab co-working space in Cambridge, MA, Zigelbaum+Coelho, and is founder at the new studio Midnight Commercial.

Jamie has a BS in Human-Computer Interaction from Tufts University and a Masters from the Tangible Media Group at the MIT Media Lab where he spent his time inventing and researching next-generation user interfaces.

Vivian Rosenthal is the founder and CEO of Snaps! (formally known as GoldRun), a mobile engagement platform. Snaps! connects brands and consumers by allowing users to embed branded content into photos and share the UGC photo based ads on Facebook, Twitter and Instagram, turning the users into brand ambassadors. We connect brands, celebrities and artists to consumers, by creating valuable photo-driven mobile engagement. Members share and inspire each other with virtual content, sticker images, celebrities, characters and more in their photos, as they share with their friends and social networks.

Previously, Rosenthal co-founded Tronic Studio, a digital media agency. She has been named one of Creativity Magazine’s top 50 global creatives of 2010 and was selected as one of the five finalists for L’Oreal’s NEXT Generation Awards highlighting women founded tech companies. Rosenthal has spoken at numerous conferences on the intersection of advertising and technology, including the CaT conference by AdAge,TEDxSilicon Alley 2011 and 2012, Bloomberg Money Moves, Ad Tech and Socialize West. Rosenthal has been featured in Fast Company, The New York Times, Mashable and AdWeek, among many others. She has been selected as a jury member for the Andy Awards, D&AD, One Show Interactive Awards, and the Art Directors Club.

Margaret Brett-Kearns is Executive Interactive Producer from Goodby, Silverstein and Partners.  She spent eight years as an art buyer and joined Goodby Silverstein ten years ago as an executive producer in print.  Margaret was the producer on the Adobe Museum of Digital Media project.  She has a degree in art history from Mount Holyoke College.


Art Hack Day Berlin

Posted at 9am on 09/25/13 In Events, Installation, Interactive Art, Making, Technology

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I’m in Berlin for the next few days in an attempt to wring something compelling out of myself for Art Hack Day Berlin. Art Hack Day is a cross of hackathon and art exhibition where attendees spend about 48 hours producing new creative works. It aims to expand the artistic process and create an interdisciplinary platform for the creation of new projects and ideas. This time around, the theme is “Going Dark”, broadly concerned with our reliance on data and what it would mean to lose access to it.

This year has an amazing roster of about 60 participants representing artists, technologists and every shade in between. Having participated in the San Francisco “Lethal Software” edition I can say without a doubt that this will be an incredible experience culminating in a public showing worth attending.

Art Hack Day, like Artup, is fiscally sponsored by the Gray Area Foundation for the Arts.

If you are in Berlin then make sure to come to the closing exhibition and party.

Where:

LEAP
Lab for Electronic Arts and Performance
(Berlin Carré 1. floor)
Karl-Liebknecht-Str. 13
10178 Berlin

HOW TO FIND LEAP: http://vimeo.com/20384216

When: Saturday 28.09.2013, 19.00–late

Facebook eventhttps://www.facebook.com/events/557710164277488

Our actions are increasingly mediated by data. Previously we formed our artifacts, now they form us. Woven into a seamless network, they quantify our lives, affect our thinking and become intrinsic to our being. As such, the urge to go dark has never been greater. Arguably it has also never been harder. But is concealment a solution or rather a retreat? Perhaps there is a quality to this quantification that reveals the full potential of the new codified world? Can you have control over data? Who has access to it and why? Data takes on a life of its own as it’s replicated on servers across the globe. It can’t be deleted, it piles up like trash. In fact, polluting your path with fake data may offer better protection than cloaking or jamming. But does this not come into conflict with the open structure of the internet? While digital detritus fills the open web, darknets (corporate, military, governmental and civilian) loom large, inaccessible to the public, bigger than the internet itself. This reveals the other extreme of the new power structure: Secret networks, beyond the reach of the public and reserved for an elite. Can you escape their control without restricting yourself? Similarly part of our inner being is not yet accessible or recordable, and we yearn for what is out of reach: our own dark matter. Who lurks in these unexplored spaces? Can you engage authentically and not reveal yourself? Can you go dark? 

Participants:

Jamie Allen
Anthony Antonellis
Elin Aram
Kim Asendorf
James Auger
Ralf Baecker
Jeremy Bailey
Katharina Birkenbach
Juan Pedro Bolivar Puente
Robert Böhnke
Katrin Caspar
Paul Christophe
Alessandro Contini
Alberto De Campo
Lindsay Eyink
Andreas Nicolas Fischer
Daniel Franke
David Gauthier
Annie Goh
Helene Hahn
Darsha Hewitt
Hannes Hoelzl
Brendan Howell
Akitoshi Honda
David Huerta
Dean Hunt
Quin Kennedy
Tove Kjellmark
Mey Lean Kronemann
Rosemary Lee
Alessandra Leone
Jana Linke
Daniel Massey
Olof Mathé
Daria Merkoulova
Jerome Morin-Drouin
Tanya Mulkidzhanova
Goran Ojkic
Nora O Murchu
Julian Oliver
Dennis Paul
Jacob Penca
Christopher Pietsch
Sascha Pohflepp
Priscilla Posada
Niko Princen
Tim Pulver
Sebastian Sadowski
Sebastian Schmieg
Marcel Schwittlick
Tor Rauden Källstigen
Jacob Sikker Remin
Billy Rennekamp
Chanpory Rith
Bengt Sjölen
Ramin Soleymani
Wolfgang Spahn
Nicole Srock Stanley
Adriaan Stellingwerff
Barry Threw
Claire Tolan
Tina Tonagel
Johan Uhle
Danja Vasiliev
Harm van den Dorpel
Paul Vollmer
Johannes Wagener
Addie Wagenknecht
Nils Westerlund
Karl Westin
Andrey Zhukov


TouchDesigner TouchIn Meetup NYC

Posted at 11am on 09/03/13 In Events, Immersive Media, Installation, Interactive Art, Technology

TouchIN NYC Flyer

I’m excited to be presenting this Friday, September 6th at the first TouchIn TouchDesigner meetup in NYC. TouchDesigner is a graphic programming language for all variety of events, 3d operations, and interactive installations.

I’ll be giving an overview of some of our more recent projects at Obscura, and am excited to share the bill with Dev Harlan, who does elegant and extremely impressive projection mapping installations using TouchDesigner. (www.vimeo.com/devharlan)

I hope to see you there.

When: 6:00 pm, Friday, Sep 6th, 2013

Where: Brooklyn Fire Proof, 119 Ingraham Street (in the alley), Brooklyn, NY

Facebook Event RSVP: https://www.facebook.com/events/332695706866722/

$$$: Free

 


Artup 2 : Venture Culture

Posted at 4pm on 05/16/13 In Events, Interactive Art, Technology, Theory

Artup 2 Flier

$$$: Free. Donations for artists accepted.

Time: 7-11PM, Sunday May 19th, 2013.

Location: The Lab, 16h and Capp, San Francisco, CA.

We’re very excited to announce Artup 2, our second in a series of monthly gatherings that foster an environment of sharing and debate in the Bay Area arts and technology communities.

This edition warrants your attention as it opens our dialog about the relationship between art and technology in the Bay Area with some insightful provocations. To kickstart the discussion we are delighted to welcome Ellen Cushing (East Bay Express) to present some thoughts on her powerful article The Bacon Wrapped Economy, which explores how tech and money has changed culture in the Bay area.

The Artup mission is focused on socially lubricating the culture and innovation sectors of our community, two groups which are massive stakeholders in every aspect of our lives here in San Francisco, but often don’t connect in real world situations. It turns out these groups have common needs that can be easily addressed through meeting and asking the right questions.

Bay Area artists are increasingly finding the economic climate difficult to survive in, forcing mass exodus to cities with either lower costs of living of more advanced art markets (NYC, LAX, MIA). This situation is perpetuated by at least two trends driven by the technology sector: a housing and studio rental market driven up by an influx of cash from silicon valley, and a tech sector apathy toward financing forward looking technology driven art by independent producers.

Tech workers are similarly (and perhaps unknowingly) wanting for outlets to participating as culture producers. Too many talents young creative people have found themselves in the cogs of mundane industry jobs without knowing how much the art community in the Bay needs their expertise to produce  relevant work.

Interface between these groups is vital in a city that should be the epicenter of advanced medium art works in the world.

Music for the evening will be provided by artist and academic Brian Rogers, who will be playing records from his bottomless collection throughout the evening.

Last, but certainly not least, we will be announcing the recipient of the first Artup Venture Fund grant, and inviting people to contribute new project ideas for the next.

I truly hope to see you there.


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All content on this blog does not reflect the opinions, thoughts, strategies or future intentions of any of my employers. These are solely my personal opinions.

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